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The bell is beginning to toll for baby boomers' aging music idols

Henry Fambrough of the Spinners, shown in screengrab from the TV One documentary series "Unsung"
Henry Fambrough of the Spinners, shown in screengrab from the TV One documentary series "Unsung" Courtesy TV One/MCT

MECHANICSBURG, Pa. — Months before he passed away, saxophonist Clarence Clemons told Rolling Stone magazine that Bruce Springsteen and the E Street Band's 2009 tour was pure hell for him physically

But despite being 69 years old having his knees and hips replaced, Clemons spoke eagerly about getting back on the road with "The Boss" in 2012 and maybe touring with Lady Gaga, who he performed with on her "Born This Way" CD.

"As long as my mouth, hands and brains still work I'll be out there doing it," he told Rolling Stone in February. "I'm going to keep going 'till I'm not there anymore."

Clemons died Saturday in Florida from complications related to a stroke he suffered on June 12. Springsteen, E Street Band members, families and friends said their goodbyes to the massive, ebullient sax player known as the "Big Man" at a private funeral service Tuesday in Palm Beach, Fla.

Clemons' passing — along with a recent spate of deaths of other artists from the 1970s and '80s — is forcing some baby boomers to reconcile that the seemingly indestructible musical idols that provided the soundtrack of their lives are either dying or growing old and suffering from the same aches, pains and illnesses that they do.

"Clarence Clemons' death, there's a number of cultural wake-up calls happening," said Robert Thompson, a professor of popular culture at Syracuse University. "Fans of Bruce Springsteen and the E Street Band, they grew up with him; the fact that he died, and the fact that he died of a stroke; they see a bit of their own mortality."

Gil Scott Herron, a singer, songwriter, poet and pre-rap pioneer who gained fame with spoken-word works "The Revolution Will not be Televised" and "Johannesburg," died last month at 62.

Phoebe Snow, a five-octave range singer-songwriter who burst onto the music scene in 1974 with "Poetry Man," died last April at age 60. Teena Marie, the white soul singer who scored 1970s success with songs like "Lovergirl" and "Square Biz," died last December at 54.

And Springsteen lost another cherished band mate when keyboardist Danny Federici died in April 2008 from melanoma.

"There's this sense that a lot of rock 'n' rollers are playing the role of immortals," Thompson said, noting that aging artists like Springsteen, the Rolling Stones and Billy Joel continue to tour and play to packed houses. "Rock 'n' roll and popular music, these are the people who represent vitality, power, youth, unfettered energy, and one of them (Clemons) dies of natural causes? That's tough."

William "Bootsy" Collins, who spent much of the 1970s on the road playing bass in the late James Brown's band, with Parliament-Funkadelic and his own Bootsy's Rubber Band, said that, despite appearances, it's physically tough on some older artists to perform live shows.

"I think touring is a young man's sport," Collins, 59, told McClatchy Newspapers in an email interview. "I think any time you go into battle on stage or in sports you send your body into shock and it has to have time to recover. Most case's (sic) we don't have time to give it time to repair itself, because the fans want to see a great show, not you up on stage limping around, you gots (sic) to get up for the down stroke fella."

Collins, who's is in the midst of a tour that began in Los Angeles earlier this month and ends across the Atlantic in mid-July at Switzerland's Montreux Jazz Festival, says he has his share of aches and pains from decades of abusing his body onstage and through substance abuse offstage.

"For me, I fight the back pain from lifting heaving equipment and carry that heavy Star Bass all those years," a clean-and-sober Collins said. "Arthritis in the fingers, neck, herniated disk from shaking and throwing the neck un-controllably."

Like other performers, Collins said he's given a nod to advancing age by changing his lifestyle on and off the road.

"I am not out to get laid every night, not looking for the bomb cocaine or weed," he said via email. "I just wanted to clear my head and see what living on the planet is really like as a normal, well almost normal, human being."

Henry Fambrough, who's been singing and dancing as a member of the Spinners for more than 50 years, said when he's not on the road (the group tours about 60 percent of the year) he's in the gym.

"I got to the fitness center and work out," said Fambrough, 73. "I drink a lot of my vegetables and fruits. Like the old saying, you are what you eat. I stopped drinking, I stopped hanging out. My hips are good, my legs are good — I don't feel what I am."

Asked why he keeps performing at his age, Fambrough answered with a question of his own.

"What else am I going to do?" he said. "This keeps me alive, keeps my heart pumping."

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